Unmasking the Haunting Beauty of ‘Facades’ by Stephanie Rodriguez


From the depths of London's subterranean sound comes a voice that communicates as much in darkness, texture, and soundscape as it does in language. New artist and composer Stephanie Rodriguez introduces herself with "Facades"—an affecting, ghostly solo composition from the tender tremors of her own existence. Cutting through the lights of the mainstream, Stephanie builds her world on the gritty border of electronic sound, ladling in feeling like strokes upon silence. Citing in-plain-site electronica places, she fearlessly creates the unfamiliar and the uncompromisingly hers.

Released on February 21st, "Facades" is the lead single from her upcoming EP written by Stephanie herself. Recorded in a London studio, melody had come first before word—a reverse alchemy of feeling beforehand. The writing is her second nature, a piece of paper growing progressively and progressively smeared with ghost chords and surprise colors. Every melody in "Facades" implies things unsaid, and the song contains a cinematic weight. "Facades" isn't a coincidental title; it's a curtain drawn aside. 


Born of living and undertows of emotion, the song exists in the interval between saying and not saying. Stephanie doesn't make music—she discovers it, unearthing something that appears to have been brought forth from the ground with the sound instrument. Through this, she defies pop form construction and offers instead a soundscape filled with extraterrestrial echo.

The song is saturated with haunted glow, atmosphere that creeps in like mist blazes down a deserted boulevard, crawling and suffocating. Embossing a chill upon this damned first effort is a five-year climb of autodidact obsession to compose. Stephanie knew that she could compose music and "Facades" is evidence of her musical sophistication—a bridge to the future. Her tale has just started, and already is worth telling. 



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